“Bait 2019” is a tense thriller about a group of people trapped in a flooded underground parking garage with hungry great white sharks. The sharks stalk their prey in the murky water while the survivors fight for their lives on top of submerged cars and debris. As the water rises, so does the tension, leading to a heart-stopping finale that will have you holding your breath until the very end.
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Review
There are movies that leave you reflecting on life, love, and humanity. There are movies that make you feel smart, powerful or content. There are also movies that simply fulfill your basic entertainment needs – Bait is definitely the latter.
Bait is a 2019 Australian action-adventure movie written and directed by Markos Karzengian. It follows a group of armed robbers who hold up a coastal town during a monster tsunami.
The lead character, Josh, played by Xavier Samuel, finds himself caught in the middle of the heist after his sister and her boyfriend become hostages. Josh must use his surfing prowess to outsmart the robbers and save his loved ones.
The movie boasts of an ensemble cast with recognizable faces such as Phoebe Tonkin (Clarissa), Julian McMahon (Doyle), and Martin Sacks (Gordon).
The storyline is straightforward; there’s no need to wear out your brain cells trying to figure out any hidden plot twist. Nothing more than what’s advertised: huge waves + robbery = action-packed adventure. The focus here was on delivering high-energy thrills and excitement.
There were elements of suspense with robber Doyle’s character whose unpredictability kept me on edge throughout the film. Doyle was undoubtedly a scene-stealer – his death grimly satisfying.
In contrast, it felt like Gordon was just mere decoration – he provided little substance to compliment the plot development and even went unnoticed in some scenes.
Despite its predictable plotline, Bait had some relatable themes intertwined within its narrative: family dynamics amidst turmoil, survival instincts in extreme situations, and coming to terms with one’s past mistakes.
I found myself laughing at some cheesy lines but ultimately enjoying the camaraderie between Clarissa and her fellow beachgoers as they tried their best to survive while waiting for rescue from their trapped location.
The cinematography was top-notch, capturing both natural beauty and destruction as well as giving the massive tidal waves a larger-than-life presence.
The special effects were commendable, considering the movie was produced on a modest budget. The tsunami scenes were well executed and believable. It felt like you were right in the middle of the waves as they crashed onto the shore.
The soundtrack was not memorable; however, it did its job, building tension and creating emotion at appropriate points throughout the movie.
It seems Bait’s popularity has transcended borders as it became one of Australia’s highest-grossing films in 2019, with box office takings exceeding AUD $10 million.
The movie featured surfing scenes which Xavier Samuel executed perfectly. The surfing sequences felt authentic and genuine; Samuel captured that surfer vibe and made you root for him as he outsmarted his enemies while riding those huge waves.
The editing was smooth, ensuring that there were no unnecessary distractions from the main story. It allowed for seamless transitions from one scene to another without leaving any gaps that could interrupt the momentum.
Bait’s production team had only ten weeks to prepare before filming began due to adverse weather conditions affecting their intended location. Despite this setback, they managed to produce something quite impressive.
However, despite its strong points, Bait received mixed reviews from critics worldwide. Some criticized its lack of originality and predictable plotline. Some felt that it lacked depth in terms of character development and overall storyline.
There were also concerns raised about some wooden acting performances – Samuel had moments where he didn’t come off as convincing enough in his delivery of some lines.
Moreover, while Julian McMahon brought a sinister edge to his villainous role, it still felt like he was holding back at times; almost as if he wasn’t fully committed to his character or didn’t believe in his portrayal.
In conclusion, if you’re looking for an adrenaline-fueled escape with some cheesy dialogue thrown in for good measure from time to time – Bait is the movie for you. The plotline may not be groundbreaking, but it makes up for it with high-octane action sequences, top-notch cinematography, and a likable cast.
Technical Data
- Runtime : 89
- Release : 2019-03-26
- Genre : Drama
- Cast : Edward Rowe as Martin Ward, Giles King as Steven Ward, Mary Woodvine as Sandra Leigh, Isaac Woodvine as Neil Ward, Chloe Endean as Wenna Kowalski
- Crew : Kate Byers as Producer, Denzil Monk as Associate Producer, Mark Jenkin as Screenplay, Mark Jenkin as Director, Mark Jenkin as Director of Photography
- Popularity 5.405
- Budget : 0
- Revenue : 0
- Company : Early Day Films, Decal
- Summary : Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.
- Tagline : The view may be beautiful, but you can’t eat it.
